Monday, 12 December 2011

Hungarian rack


74. Hungarian rack.

When we moved to our present house we did the usual thing of re-arranging several walls and doorways. When the chaos was over we bought the house a present of this Hungarian shelf and rack. It hangs in a space created by the removal of a door.

It has a wonderful patina of age, with the date 1882 barely discernible in the faded paintwork. The decorative flowers and patterns will once have been bright and colourful.

The importer who was selling to us asked if we wanted him to do some restoration work on the piece.
"NO" was our immediate and horrified response.
This practical object  has a celebratory feel and was probably made as a wedding gift. Now it celebrates a happy retirement. It is barely visible beneath a collection of coats and hats, dog leads and umbrellas.

Darning mushroom

73. Darning mushroom.

I inherited this sycamore darning mushroom from my mother-in-law. She was a demon knitter and the only female in a household of males. She knitted socks and jumpers, scarves, hats and gloves. Her husband and sons must have given her handiwork quite a bashing because the surface of the mushroom is pitted from years of use. It is a satisfyingly practical object, the wood is light and comfortable in the hand, far superior to the ugly plastic mushroom that I used before inheriting this.
I was taught to patch and darn at school, a place described as being for 'young ladies'. What do 'young ladies' care about patching and darning? Very little, I can tell you! We had to practise these skills on small squares of fabric. How pointless and time-consuming it seemed. I was marked 0.5 out of 10 for all my effort.
My heart still sinks when I discover a small hole and know that I shall have to get out the darning mushroom and set to work.

Thursday, 8 December 2011

Embroidery


72. "Bella in Heaven"
silk embroidery by Janet Haigh.

I was brought up in a household that always included one or two dogs, but I married a man who quite definitely did not want to share his home with one, so that was the end of that. But when my father died, at the start of the new millennium, shortly followed by his faithful old spaniel, I was bereft. The only solution was to buy a dog of my own. Bella came from a breeder further down the dale, and for me, at least, it was love at first sight.

Love poem.

I have a new love.
Her greeting melts my heart.
Doe eyes, kohl-rimmed and gentle
her presence in our house experimental.
"Besotted," says my husband,
and he's right.
He'll not be charmed without a subtle fight
of wagging tail and wriggling with delight.
"That bloody dog," he says
of mud across the floor
and hairs on clothes 
and half chewed bones.
But I am charmed,
and every little chore is worth it
for my own first dog,
fox terrier,
whom I just adore.

Bella met an untimely death, chasing a cockerel across the road. I was heartbroken. My friend Janet, the owner of two wire-haired fox terriers, dyed a large square of silk into beautiful colours. She embroidered Bella, complete with a pair of wings, in the centre of this silk heaven. Her inspiration came from the Bedlington terrier paintings of Craigie Aitchison.
I felt that Bella looked lost in so much space (how rude of me) and Janet, wonderful friend that she is, let me mutilate the silk by cutting it down to make a dainty icon of her work.
This embroidery is precious to me for many reasons.

Bella in Heaven

When Bella died I cried
while Janet stitched my little dog with wings
and dyed a piece of silk bright green
for heaven.
There she stood, with matchstick legs and neat brown head
waiting to play in her silk heaven, generously large,
a gift of sympathy and love.
But in this space she looked too much alone
and so I asked, "Please can I cut her heaven down?"
Now my small dog stands square in her own patch,
the boundaries marked out in wood and gold,
happy in heaven, never growing old.