Flower vase

69. Strathearn glass flower vase,

green and blue with copper aventurine inclusions.

This vase was a wedding present to my parents in the 1930's. My mother rarely picked flowers from the garden but it is something that I have always enjoyed.  The fluted rim provides a wonderful structure for holding and displaying whatever motley collection of flowers are placed in it. It fulfills the tenet, 'form follows function'. This vase was such a favourite of mine that at my own wedding I was given a large, green Strathearn glass vase of my own, a present from my much loved Auntie Ann. The rim of that vase is unfluted and does not display the flowers so well.

Some years ago my mother gave me her own.  

garden book

68. 'Simple Fruit Growing' by P.K. Bear.

This much-thumbed little book is very precious to me, but not for any of the advice given within its covers. It is printed on rough, dull cream paper, "produced in complete conformity with the authorised economy standard". 

My father bought the book in 1945 when he was discharged from the army at the end of the Second World War. He filled the blank frontispiece with the names of all the roses that he had bought to make a rose garden. On the end pages he made a record of the fruit trees, planted over several years, that became our orchard.

It was a magical place, underplanted with spring bulbs, the long grass scythed only a couple of times a year.  When I look at the names that my father has written I am transported back to the orchard, my favourite part of the garden. I remember the different trees well, 'Egremont Russet',  'Ribston Pippin', the 'Irish Peach', the hard 'Pitmaston Duchess pears, and the cherries that the birds ate the minute they were ripe.

 

Eating cherries, 1950's.

Doorstop

67. Victorian cast iron doorstop,

 Woodcutter and his dog.

My father brought this doorstop as a present for our last house where it propped open the sturdy front door so that the children could run in and out to and from the garden.

The doorstop was a good choice of subject matter because we had two copses of trees and cutting wood was a fairly regular occupation. There were a few fine old oak trees, which remained untouched, but quite a number of ash, and these we felled for fuel and also for safety reasons. They had self sown and were too close together, growing tall in their competition for light. I did the roping, to be sure that the tree would fall where intended, and Peter did the cutting.

There is an old saying that wood warms you three times; once in the felling, twice in the stacking and finally when you burn it. Don't I know it!

Couples

 Peter and I first met half a century ago. It is not surprising that a number of the objects in our home are of couples.

62. Painted Indian alabaster carving

22cm 

I don't think that this carving, where a small female is subjugated to the will of a large male god, is representative of the relationship in our household! I know nothing about the object, having never thought to ask, as a child, where it came from. My mother received various gifts from India when she was young and it is likely that this was one of them. Her uncle had died in his twenties after only six weeks of marriage. His widow remarried and went to live in India with her new husband. She wrote from there to my mother, sending photographs and gifts.

63. Staffordshire sailor and wife

20cm 

I bought this couple at a country auction My father was buying glass and I had gone along to keep him company. It was one of many jaunts where I was just going along for the ride and not interested in buying anything. Those are always the times when something catches your eye and your hand goes up. I have always liked the idea of a blue and white cottage by the coast, where these two would look perfectly at home. It hasn't happened yet!

64. Dogon couple 24 cm high.

This charming couple are among a number of pieces that we have bought from the Joliba Trust, a charity formed to support sustainable development in the rural communities of Mali. This, I like to think, rather than object 62, represents our life together, side by side, feet on ground, and a steady hand!

65. Dogon door lock 29cm high.

This is one of my favourite objects, another piece from the Joliba Trust, a functional and beautiful wooden door lock.

66. Adam and Eve, Hungarian woodcut

This little wood cut was a present from our elder daughter after a trip to Hungary. It hangs on our kitchen wall. I like  the naivety of the scene, greedy Eve and a very docile looking Adam!

Necklaces

60. Lapis lazuli necklace

I share with my mother and grandmother a love of necklaces. Each one that I possess has particular associations. The lapis lazuli belonged to my grandmother, Isabella. It is made of round, even sized stones that sit neatly at the nape of the neck. It was a favourite, worn often by of my mother, so I associate it with her. All three generations had a similar taste, none of us caring much for glitter.

Over the years my own choices have become less delicate, and, as my fingers become less agile, the type of fastening is of greater importance. Many of the necklaces have been bought as holiday souvenirs.

61. Elidoro and peridot necklace.

In the Aeolian islands we passed a tempting small jewelry shop on our way to and from the harbour. The owner stood in the doorway and smiled and we soon struck up a conversation. He and his wife were from mainland Italy. Their display of jewelry was beautiful. An amethyst and pearl necklace called me in like a siren's song to a sailor. Each evening on our way back to the hotel we would stop to talk. We learnt that the shop owners were avid followers of the British television series, 'Flog It', and this was a source of amusement and gentle joking between us, along with an ongoing riff that the price of the items on display should drop with each time that we entered the shop. They were a stylish and intelligent couple and our exchanges were wide ranging and enjoyable.

On the last evening of our holiday Peter bought me a necklace of quartz, described by Adrianna, one of the owners, as 'elidoro'. The stones are strung between small beads of peridot.

We had chosen to holiday in the Aeolian Islands after seeing the film 'Il Postino', which was filmed on Panarea. It tells the story of a local man who is hired to deliver post to the Chilean poet Pablo Neruda, who came to live on the island for a while after being exiled from his own country.

We caught the ferry to visit the different islands, walking around patches of bubbling sulphur on the crater of Vulcano, listening to silence on Panarea, and watching from a rocking boat as sparks leapt into the night sky above Stromboli.

The quartz stones on my necklace are rough-cut and irregular, of differing smoky colours. They are a good reminder of the Italian islands, also rough-cut and irregular, a couple of them smoky, and all beautiful.

It is a necklace strung with good memories.

Mother and child

57. Stained elm carving by Christine Kowal Post

 mother and child, 94cm high

This carving dates from the 1980's, the time when we first met Christine. She had spent her childhood in Africa, where her father was working as a university lecturer. Christine returned to Britain to study at art school. I remember being amused by her description of herself as having been a painter of robins in the snow! But when she discovered carving, all the dynamism of her early African experience found true artistic expression.

The story of this mother and child is poignant. It is about a decision; the child is being denied.

58. Snake woman by Christine Kowal Post, 53 x 50cm.

Snakes were a reality of life for Christine in Africa. This one makes a delightfully decorative pattern, and although it has got the woman by the throat I am sure she will survive!

59. African carving, mother and child, 43cm high.

Joliba Trust.

We've bought a carving from the Dogon Tribe,

a mother with a child

not by her side but clinging to her back.

She is dressed well

and wears one cowrie shell

upon a necklace made of string.

She stands erect, long bodied,

full, firm breasts

squat haunches and big feet on which she rests,

leans slightly backwards and her navel forms a point.

Above the slender neck a solemn face

her simple clothing worn with timeless grace,

string earrings

and a loincloth made of sack,

a patina of dust softens the black.

All aspects of a gentle motherhood

carved out in wood

revered and understood.

Knitting

56. Knitted vest.

When my first child was born, my friend, Glennis, taught herself to knit and created a very funky pair of bootees. Flushed with this success, she moved on to children's jumpers of ever increasing complexity. After a while I put in a request of my own, for the patterned vest above. I was delighted with the result and quite fancied a night-time version in dark purples and blues. It never materialised. She'd had quite enough of knitting by then, thank you very much and my green vest is the last knitted garment that she made.

She moved on to altogether bigger things, as co-founder of  'Creative Recycling.'